“The idea of research has often made painting go astray, and made the artist lose himself in mental lucubrations. Perhaps this has been the principal fault of modern art. The spirit of research has poisoned those who have not fully understood all the positive and conclusive elements in modern art and has made them attempt to paint the invisible and, therefore, the unpaintable.”
#creativity
10 quotes
“Mathematics , trigonometry , chemistry , psychoanalysis , music , and what not have been related to cubism to give it an easier interpretation. All this has been pure literature , not to say nonsense, which brought bad results, blinding people with theories. Cubism has kept itself within the limits and limitations of painting, never pretending to go beyond it.”
“Many think that Cubism is an art of transition, an experiment which is to bring ulterior results. Those who think that way have not understood it. Cubism is not either a seed or a foetus, but an art dealing primarily with forms, and when a form is realized it is there to live its own life. A mineral substance, having geometric formation, is not made so for transitory purposes, it is to remain what it is and will always have its own form. p. 323.”
“Variation does not mean evolution. If an artist varies his mode of expression this only means that he has changed his manner of thinking, and in changing, it might be for the better or it might be for the worse. p. 391.”
“Cubism is no different from any other school of painting. The same principles and the same elements are common to all. The fact that for a long time cubism has not been understood and that even today there are people who cannot see anything in it, means nothing. I do not read English, and an English book is a blank to me. This does not mean that the English language does not exist, and why should I blame anyone but myself if I cannot understand what I know nothing about? p. 319.”
“We all know that Art is not truth . Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies. If he only shows in his work that he has searched, and re”
“I can hardly understand the importance given to the word research in connection with modern painting. In my opinion to search means nothing in painting. To find is the thing. Nobody is interested in following a man who, with his eyes fixed on the ground, spends his life looking for the purse that fortune should put in his path. The one who finds something no matter what it might be, even if his intention were not to search for it, at least arouses our curiosity, if not our admiration. p. 315”
“They speak of naturalism in opposition to modern painting . I would like to know if anyone has ever seen a natural work of art. Nature and art , being two different things, cannot be the same thing. Through art we express our conception of what nature is not. Velasquez left us his idea of the people of his epoch. Undoubtedly they were different from what he painted them, but we cannot conceive a Philip IV in any other way than the one Velasquez painted... [Paris 1923]. As quoted in Futurism , ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 312”
“When I hear people speak of the evolution of an artist, it seems to me that they are considering him standing between two mirrors that face each other and reproduce his image an infinite number of times, and that they contemplate the successive images of one mirror as his past, and the images of the other mirror as his future, while his real image is taken as his present. They do not consider that they all are the same images in different planes... [Paris 1923]. As quoted in Futurism , ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311”
“Among the several sins that I have been accused of committing, none is more false than the one that I have, as the principal objective in my work, the spirit of research . When I paint my object is to show what I have found and not what I am looking for. In art intentions are not sufficient and, as we say in Spanish , love must be proved by facts and not by reasons... [Paris 1923]. As quoted in Futurism , ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311”